Aug 18, 2017 |

On June 16, Fleet Foxes will release Crack-Up (Nonesuch Records), its long awaited and highly anticipated third album. Crack-Up comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band's 2008 self-titled debut. All eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist). Fleet Foxes' self-titled debut made a profound impact on the international musical landscape, earning them Uncut's first ever Music Award Prize, and topping numerous "Best of " lists, including Rolling Stone's 100 Best Albums of the 2000's and Pitchfork's 50 Best Albums of 2008. Fleet Foxes is certified Gold in North America and Platinum in both the UK and Australia. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (MOJO five stars, Rolling Stone four stars, Pitchfork Best New Music); that album debuted at No. 4 on the Billboard Top 200, went Gold in the UK, and earned the band a GRAMMY nomination.

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Aug 18, 2017 |

Dog Party! Catchy melodies, tight harmonies, fuzz pedals and big drums; what more could you possibly want in a rock and roll band? Formed in 2007 by sisters Gwennie and Lucy Giles, the duo draws influence from the classic sounds of the Ramones as well as contemporaries Ty Segall to synthesize their own unique style. Careful listeners will also notice a nod to bands like Cub and Tiger Trap, the former of Sacramento, CA lineage as well. Following 2013's breakthrough Lost Control album, the Giles sisters got the attention of Burger Records, who co-released the follow up album Vol. 4 with Asian Man Records. The duo celebrated its release by touring with Swimmers that summer, after extensive touring that had already taken them through Germany, Switzerland, Austria, Italy, France, and multiple times across the Unites States. The energy of their newest record, 'Til You're Mine, owes a debt of influence to the old Bikini Kill footage they both have absorbed, and also Sex Bob-omb ??? that's right, the fictional band from the cult comic book series Scott Pilgrim vs. the World. They have an uncanny ability to incite nostalgic awe in older audience members, while fueling the fire of frenzied dancing in the younger ones.

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Aug 18, 2017 | From $48.28

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Aug 18, 2017 |

Marty Friedman???s new album,WALL OF SOUND,which will be released on August 4th, 2017 expands and destroys any conventional notions of instrumental music. It was produced by Friedman, engineered by Paul Fig (Ghost, Rush, Alice in Chains) and mixed by Jens Bogren (Lamb of God, Opeth).Legendary Queen producer, Mack, came on board to handle the mixing on two tracks, Streetlightand For a Friend, which Friedman proclaimed ???an honor for me, for sure???. Regarding the writing and recording process on WALL OF SOUND, Friedman responded with this, ???It's a challenge to evolve album after album, especially on your 13th solo album. Not only as a songwriter but it is imperative to do new things on my instrument as well. Luckilythis is a challenge that I love. You will find this hard to believe when you hear the density and sheer amount of guitar coming at you from all directions, but in fact all of the final guitar tracks on "WALL OF SOUND" were done in 9 days.??? He continues, ???This furious and productive pace was made possible by over a year of making demo after demo and spending more time listening and living with the music rather than just playing it.I had lived with the songs for so long and edited and re-cut them so many times, that by the time I got to the actual recording studio, it was like I had been playing the whole album on tour for a year already. I learned to do this from making INFERNO.??? ???This is why a lot of artists` debut albums are so strong-because they have had so much time to reflect on and fix the music, and also more importantly, attach real life experiences to the songs. I feel like I have a debut album here.???Once again, Friedman assembled an incredible and diverse group of musicians to record and guests on WALL OF SOUND. His core recording band is made up of Anup Sastry, a modern whiz kid sharing drum duties with uber-veteran Gregg Bissonette, and Japanese bassist Kiyoshi who is undisputedly the most aggressive female bassist on earth.Guests include Jinxx of Black Veil Brides, Shiv Mehra of Deafheaven and Jorgen Munkeby of Shining lends his voice to the only non-instrumental track on the album. Friedman comments on the guests:???Jinxx from Black Veil Brides and I wanted to do something that would shock his fans and my fans. I arranged a monster of a tune called "Sorrow & Madness" based on a melody that Jinxx wrote on the violin. I took his sweet melody and added so many twists and turns that it became a mammoth of Martyisms in tandem with a large side of Jinxx that has yet to be heard by his fans. We are both very proud of what happened.??? ???I think Deafheaven is the one truly heavy band that comes to mind when people ask me to recommend something that`s not Japanese! I was super excited to work withShiv from Deafheaven. We wrote "Pussy Ghost" together and it is one of the most aggressive songs I have ever played, while at the same time evoking grotesquely beautiful moods that I have never felt before. One thing I learned from making "INFERNO" is that when you have a guest, let them come up with music first. Let it be their baby, so they are personally invested in the song. Then arrange it and do it my way, then add more things together. This gives you a final song that really sounds like both of the people put their heart and souls into the music, as opposed to one guy doing everything and the guest just blasting out a solo somewhere.??????Jorgen from Shining also guested on "INFERNO" and when we finished that song we immediately started talking about what we would do next. For those who don`t know Shining, they are like a steroided out and "genius level musicianed out" version of Nine Inch Nails for the 21nd century, with a charismatic singer/composer (Jorgen) and a wicked sense of melody, that hits me in the gut on every song. "(Just Gimme) Something To Fight" is the one vocal track on the record and it kills. Even after finishing this song we have started working on more new things for who knows what...???Marty Friedman released his first solo album, Dragon???s Kiss, on the influential Shrapnel Records. His tenure with Cacophonyand Megadethhave created some of the most memorable music and jaw dropping guitar solos ever heard. He???s received gold and platinum awards from throughout the globe and continually pushes the boundaries of music. Fluent in Japanese, Friedman currently resides in Japan where he is a fixture on Japanese television and was recently appointed a Japanese Heritage Ambassador to promote the countries upcoming Olympic games.

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Aug 17, 2017 |

With an eye-catching signature blonde pixie cut, delightful nineties superstar fixation, and singing and songwriting prowess befitting of her stadium ambition, Betty Who commands the dance floor. ???I???ve spent the past two years on the road, and I walked away with this intense feeling of wanting to make dance music,??? she exclaims. ???All of that touring and living developed my sense of self. It???s a really fast learning curve out there. You have to learn how to get better immediately. Because of that, I???m in a place where I feel more aware of who I am and able to be vulnerable in a sincere and blunt way. My band and I have the best time ever. It???s about creating songs that feel huge in front of a crowd of 20 or 20,000. I know that I want to get people moving.??? That???s what the Australia-born and Los Angeles-based songstress has been doing since the release of her explosive 2013 independent EP, The Movement. Who???s 2014 full-length debut, Take Me When You Go [RCA Records], cemented her as a 21st century buzzworthy pop force ??? replete with skyscraper-size tunes that could rattle the screws in the nosebleeds??????as proclaimed by Vogue. While the lead single ???Somebody Loves You??? went on to amass over 26 million Spotify streams and counting, she earned glowing acclaim from Harpers Bazaar, Time, Glamour, Elle, New York Magazine, and Spin who dubbed Take Me When You Go the ???Best Pop Album of 2014.??? Between high-profile tours with Katy Perry, Kylie Minogue and Kiesza, she performed on The View, The Today Show, and Late Night With Seth Meyers and guested on Troye Sivan??? s RIAA gold-selling Blue Neighbourhood in 2015. Her 2016 cover of Donna Lewis???s 1996 smash ???I Love You Always Forever??? quickly racked up more than 11 million Spotify streams in a few months??? time, went platinum in Australia, and laid the foundation for what would become her sophomore offering. ???There are a bunch of different reasons I went in the direction I did,??? she goes on. ???I feel like I???ve grown up a lot along the way.??? Recording the bulk of the material in Los Angeles with a few sessions in New York, she quietly cultivated a style that???s equally smart, sexy, and spunky. The single ???Human Touch??? illuminates Who???s progression. Produced by and co-written with longtime collaborator Peter Thomas, the track begins with a hummable synth as finger-snaps propel the beat. Her inimitable voice takes the spotlight building from a breathy croon into a seductively connectable refrain, ???Just need a human touch.??? ???It was about this experience I had,??? she admits. ???When you???re in a relationship with somebody and that relationship ends, you???ll always live in this weird middle ground where you used to be the closest person in the world to this ex???but now you???re not anymore. It???s real to me, and I???m talking about when I got together with an ex-boyfriend for a week after everything between us had ended for a while. It felt universal enough for me to write about. ???Human Touch??? is the introduction to that new version of myself I???ve found in the last couple of years.??? As a both writer and multi-instrumentalist, she continues to paint pictures with a hypnotic and heartfelt honesty. Drawing on everything from her childhood classical training at Michigan???s Interlochen Center of the Arts to a lifelong Joni Mitchell and Carole King obsession, Who brings a poignant and personal perspective to pop music. ???On this album, I implemented something of a rule,??? she says. ??? All of the songs, except for maybe one or two, can be played at a piano or with a guitar. I can actually sing you the story of the song with everything stripped away. It was so important to me.??? Ultimately, Who is ready to make listeners move worldwide. ???I love it when people tell me they???ve listened to my music on a shitty day, and it genuinely made them feel better,??? she leaves off. ??????Human Touch??? makes you feel sexy and want to dance. No matter what it is, I want to be there for my fans and anybody who listens to what I???m doing. When a record moves somebody, that defines success for me.???

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Frisco Roughriders vs. Northwest Arkansas Naturals
Aug 18, 2017 | From $23.00 Get Tickets!
Aug 16, 2017 | From $51.29

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Texas Flood
Aug 18, 2017 | From $125.35 Get Tickets!
Aug 16, 2017 |

Silencio! It's been two years since we took The Trip with Laetita Sadier. Her first true solo album since exiting the bedrooms of Monade and Stereolab, The Trip breathed freshly and deeply as both a personal homage to life's journey and as a grieving process for the separations that are unavoidable within it. Born from a similar, natural need for stillness as well as agitation, Laetitia now delivers her follow-up LP, Silencio - an album exploring the individual connection to a deeper self, placed in a broader environment, in a similarly fresh kind of way. Silencio! That noise preventing your connectivity comes from society - the noise of commercialism and the marketplace overwhelming your ability to cut deeply inward, prohibiting your inner-connections. Silencio may help you understand how to resist the rules of these systems, but only if you listen! Within Silencio's dynamic song structures, the album features some exciting collaboration: there's a new jammer with former Stereolabber, Tim Gane; and musical drifter-man James Elkington provides writing for two tracks in addition to recording and playing on much of the record. Need some other freaky names? OK! Sam Prekop shows up mysteriously. But that's a story for another time. Guests aside, we're more concerned with the singularity of Laetitia Sadier. That voice, the one that reaches you and wraps you up each time you hear it. Calm, direct. Cool and hot. If you're unable to attain an inner connection with yourself, Laetitia will connect to it for you. Silencio is your human modem. Silencio is out July 24th on Drag City. Following last year's solo venture touring parts of the country with Beirut, Laetitia will return with full band this fall.

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Olga Tanon
Aug 17, 2017 |
Aug 16, 2017 | From $7.00

Magical Broadway Favorite "Pippin" Returns to the StageBursting with one showstopping number after another, "Pippin" is the hip, anachronistic fairy tale featuring fabulous music from three-time Oscar-winning composer Stephen Schwartz ("Wicked"). The musical follows the son of Charlemagne, leader of the Holy Roman Empire, as he struggles to find meaning in his life. On his journey, Pippin samples the glories of the battlefield, the wisdom of a grandmother, the intrigues of political power, the pleasures of the flesh and simple farm life -- all as part of his quest to find where he fits in. It's a magical, musical fairy tale that is just as entertaining and thought-provoking as when it debuted 40 years ago. Get swept away in the fanciful, moving "Pippin" when it descends on the Firehouse Theatre in Farmers Branch.

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Texas Rangers vs. Chicago White Sox
Aug 17, 2017 | From $6.04 Get Tickets!
Van Jones
Aug 18, 2017 | From $94.30 Get Tickets!
Aug 18, 2017 | From $7.00

Magical Broadway Favorite "Pippin" Returns to the StageBursting with one showstopping number after another, "Pippin" is the hip, anachronistic fairy tale featuring fabulous music from three-time Oscar-winning composer Stephen Schwartz ("Wicked"). The musical follows the son of Charlemagne, leader of the Holy Roman Empire, as he struggles to find meaning in his life. On his journey, Pippin samples the glories of the battlefield, the wisdom of a grandmother, the intrigues of political power, the pleasures of the flesh and simple farm life -- all as part of his quest to find where he fits in. It's a magical, musical fairy tale that is just as entertaining and thought-provoking as when it debuted 40 years ago. Get swept away in the fanciful, moving "Pippin" when it descends on the Firehouse Theatre in Farmers Branch.

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Frisco Roughriders vs. Arkansas Travelers
Aug 16, 2017 | From $17.25 Get Tickets!
Rockaholics
Aug 17, 2017 |
Aug 17, 2017 | From $79.35

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Frisco Roughriders vs. Arkansas Travelers
Aug 17, 2017 | From $17.25 Get Tickets!
Aug 18, 2017 | From $28.75

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Aug 16, 2017 |

From early days growing up in the southeast Los Angeles suburb of Downey, California under the tutelage of T-Bone Walker and Big Joe Turner to their emergence as central figures in the eclectic LA punk/rock scene of the early ???80s to their current status as internationally-renowned influences in their own right, the Blasters have spent their lives exploring and expressing the deep and diverse musical legacy that is best described by the title of their first album: American Music. A performance by today???s Blasters??????vocalist-guitarist Phil Alvin, drummer Bill Bateman, bassist John Bazz, and guitarist Keith Wyatt??????reflects influences that range from George Jones and Carl Perkins to Howlin??? Wolf, James Brown and Bo Diddley. The band???s 1980 debut album American Music (Rollin??? Rock) was a powerful collection of fresh, distinctive performances that shattered the artificial boundaries between blues, rockabilly, country, R&B and rock & roll. The next three albums for Slash/Warner Bros. (The Blasters, Non-Fiction, and Hard Line) increasingly featured the unique songwriting voice of original guitarist Dave Alvin as the band???s lineup expanded to include pianist Gene Taylor plus saxophonists Steve Berlin and New Orleans legend Lee Allen (???the man who put a saxophone in rock & roll???). As the Blasters??? fame grew, they began to draw accolades from artists as diverse as Bruce Springsteen, Eric Clapton and Queen, and in turn the band encouraged and supported still up-and-coming LA musical peers such as Dwight Yoakum and Los Lobos In 1986, Dave Alvin left the band to pursue a solo career, and over the next decade a series of renowned guitarists including Billy Zoom, Michael ???Hollywood Fats??? Mann, Greg ???Smokey??? Hormel, and James Intveld filled the position. Phil Alvin simultaneously expanded his own musical efforts with the release of two acclaimed solo albums, Unsung Stories (Slash/Warner) in 1986 and County Fair 2000 (Hightone) in 1994. In 1996, current guitarist Keith Wyatt joined the lineup and the Blasters continued touring steadily in the US and Europe before returning to the studio in 2004 to record 4-11-44 (Rainman). After the departure of drummer Jerry Angel, the band reunited with original member Bill Bateman and subsequently released their 2012 CD Fun on Saturday Night (Rip Cat). Meanwhile, the Blasters??? catalog was renewed with reissues of American Music along with two Slash/Warner compilations (Testament and The Blasters Collection) and the live recordings Trouble Bound and Going Home Live (Shout Factory). Blasters shows have been described as ???a cross between Creedence and the Clash,??? with a display of passion and energy only deepened by decades of experience. For all of the ways in which the world has changed in the past few decades, one thing is still guaranteed: the Blasters play American Music.

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Aug 17, 2017 | From $7.00

Magical Broadway Favorite "Pippin" Returns to the StageBursting with one showstopping number after another, "Pippin" is the hip, anachronistic fairy tale featuring fabulous music from three-time Oscar-winning composer Stephen Schwartz ("Wicked"). The musical follows the son of Charlemagne, leader of the Holy Roman Empire, as he struggles to find meaning in his life. On his journey, Pippin samples the glories of the battlefield, the wisdom of a grandmother, the intrigues of political power, the pleasures of the flesh and simple farm life -- all as part of his quest to find where he fits in. It's a magical, musical fairy tale that is just as entertaining and thought-provoking as when it debuted 40 years ago. Get swept away in the fanciful, moving "Pippin" when it descends on the Firehouse Theatre in Farmers Branch.

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Aug 17, 2017 | From $100.00

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Lake Street Dive
Aug 16, 2017 | From $64.40 Get Tickets!
Texas Rangers vs. Chicago White Sox
Aug 18, 2017 | From $8.05 Get Tickets!